book of acts chapter 14 zeus

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At breakfast Mona betrays the fact that she has met Paul Rodney during her morning ramble, and tells all that passed between him and her,—on being closely questioned,—which news has the effect of bringing a cloud to the brow of Sir Nicholas and a frown to that of his mother.,

Having said all this without a break, Jenkins feels he has outdone himself, and retires on his laurels.,

It is a lovely old castle, ancient and timeworn, with turrets rising in unexpected places, and walls covered with drooping ivy, and gables dark with age.,

"What did she say, Mona?" inquired Doatie.

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"No, she was not in the lodge, but two women were approaching as I left it. I think they were the girl and her mother.",

"You are slightly nonsensical when on the subject of Mona," says Sir Nicholas, with a shrug. "Intrigue and she could not exist in the same atmosphere. She is to Lauderdale what she is to everyone else,—gay, bright, and utterly wanting in self-conceit. I cannot understand how it is that you alone refuse to acknowledge her charms. To me she is like a little soft sunbeam floating here and there and falling into the hearts of those around her, carrying light, and joy, and laughter, and merry music with her as she goes.",

To this name, given to her in such an unkindly spirit, Mona clings with singular pertinacity. Once when Nolly has called her by it in Lady Rodney's hearing, the latter raises her head, and a remorseful light kindles in her eyes; and when Mr. Darling has taken himself away she turns entreatingly to Mona, and, with a warm accession of coloring, says, earnestly,—,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.